<$BlogRSDURL$>
Tram Town
Tuesday, August 30, 2005
 
Category: Bullshit
With apologies to those language sensitive readers of ours (get over it, old people), Imre Salusinszky (that's a name not an anagram) has written a sort of review of an essay (or miniature book according to a bloke I know who has read it but found it too insignificant to take off the plane because he was uncomfortable about travelling cattle class) about the word "bullshit". I want to get the book but while I wait I'll enjoy some of Imre's observations:
we are informed early on that, while "one of the most salient features of our culture is that there is so much bullshit", the phenomenon is "so vast and amorphous that no crisp and perspicuous analysis of its concept can avoid being procrustean".
and
Of course, the suggestion all bullshit is necessarily uncrafted collides head-on with our use of that allied term, bullshit artist. But Frankfurt has a ready answer to this conundrum, and it takes us to the heart of his project, which is to distinguish the concept of bullshit from straight-out lying.
and
In fact, while lying is a craft, bullshitting is a kind of art; instead of extracting nuggets of truth from an account and substituting them with lies, the bullshit artist uses "improvisation, colour and imaginative play" to create a more spacious account in which there operates, as it were, a suspension of disbelief.
and
Thirty years ago, when he said he did not know about the Watergate break-in, Richard Nixon was lying. But when former NSW premier Bob Carr promised last year that Sydney's rail services would achieve "more robust on-time running" under his administration, he was simply bullshitting.
and
US philosopher Richard Rorty was suggesting something similar in his famous aside about Jacques Derrida, the father of deconstruction: "He's given bullshit a bad name."
Completely separate but related is a quote from Elwood Blues in The Blues Brothers:
Wasn't lies, it was just... bullshit


Powered by Blogger